In the portraits he uses the minimum necessary, the face, the body.
in the fashion he builds, he composes, he orchestrates.
but both are done with the same attention, the same clear as glass thinking and vision, same humility in front of the rules of harmony or movement. These days it is a rare thing finding that kind of old school discipline and mentality, that kind of pure intent. Without buffers, without excuses. Pure intent.
after years of looking for interesting photographers, for some inspiration, for some excitement, stimulation, I go back to the old master, and see that simple beautiful zenish body of work that is. Really is. In every print. In every pixel.